Bibliograph

Noh as living art, inside Japan's oldest theatrical tradition, by Yasuda Noboru ; translated by Kawamoto Nozomu

Type

Label

Noh as living art, inside Japan's oldest theatrical tradition, by Yasuda Noboru ; translated by Kawamoto Nozomu

Language

eng

Bibliography note

Includes bibliographical references

Illustrations

illustrations

Index

no index present

Literary Form

non fiction

Main title

Noh as living art

Nature of contents

bibliography

Responsibility statement

by Yasuda Noboru ; translated by Kawamoto Nozomu

Series statement

Japan Library

Sub title

inside Japan's oldest theatrical tradition

Summary

"Noh is recognized as one of the oldest and greatest theatrical traditions in the world. Embraced by the samurai elite some 650 years ago, it ultimately permeated every level of Japanese society through the vehicle of utai (noh singing) and inspired generations of writers and scholars in Japan and around the world. What accounts for noh's enduring vitality? What does this austerely beautiful, understated art form have to offer a digitalized society awash in instant entertainment? Noh actor Yasuda Noboru answers these and other questions in this uniquely personal and accessible introduction to noh as living art." --, From publisher's description

Table Of Contents

Keys to Noh's enduring relevance -- Mythical origins to feudal transformation -- Edo period to the present -- Form and function -- The genius of Zeami -- Noh and the tapestry of Japanese literature -- Engaging the imagination -- Why study Noh? -- Appendix

Contributor