Calgary Public Library

Rumble, the Indians who rocked the world, directed by Catherine Bainbridge and Alfonso Maiorana (co-director) ; produced by Stevie Salas (executive producer), Catherine Bainbridge (executive producer), Christina Fon (executive producer), Diana Holtzberg (executive producer), Linda Ludwick (executive producer), Jan Rofekamp (executive producer) and Ernest Webb (executive producer) ; [Rezolution Pictures]

Label
Rumble, the Indians who rocked the world, directed by Catherine Bainbridge and Alfonso Maiorana (co-director) ; produced by Stevie Salas (executive producer), Catherine Bainbridge (executive producer), Christina Fon (executive producer), Diana Holtzberg (executive producer), Linda Ludwick (executive producer), Jan Rofekamp (executive producer) and Ernest Webb (executive producer) ; [Rezolution Pictures]
Language
eng
Characteristic
videorecording
Main title
Rumble
Oclc number
1003371988
Responsibility statement
directed by Catherine Bainbridge and Alfonso Maiorana (co-director) ; produced by Stevie Salas (executive producer), Catherine Bainbridge (executive producer), Christina Fon (executive producer), Diana Holtzberg (executive producer), Linda Ludwick (executive producer), Jan Rofekamp (executive producer) and Ernest Webb (executive producer) ; [Rezolution Pictures]
Runtime
102
Sub title
the Indians who rocked the world
Summary
This revelatory documentary brings to light the profound and overlooked influence of Indigenous people on popular music in North America. Focusing on music icons like Link Wray, Jimi Hendrix, Buffy Sainte-Marie, Taboo (The Black Eyed Peas), Charley Patton, Mildred Bailey, Jesse Ed Davis, Robbie Robertson, and Randy Castillo, RUMBLE: The Indians Who Rocked the World shows how these pioneering Native American musicians helped shape the soundtracks of our lives. The idea for RUMBLE came about when guitarist Stevie Salas, an Apache Indian and one of the film's Executive Producers, realized that no one outside of the music business knew about the profound contribution of these Native musicians. Renewed attention to this missing chapter in the history of American music led to the publishing of Brian Wright-McLeod's The Encyclopedia of Native Music, an exhibit at the Smithsonian National Museum of the American Indian, and eventually this documentary
Technique
live action
Classification
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